Archive | Eric Clapton RSS feed for this section

Duane Allman @ 70

6 Nov

duane-slide-overview

This month marks Duane Allman’s 70th birthday. If you are a fan be sure to check out Talking2musicians.  There’s an epic profile piece, lots of b/w photos brought to life with color, and audio from six Grammy winners talking about Skydog.

Advertisements

Check Out These Musicians Before They Were Famous

3 May

1. Bee Gees       2. Jimmy Page of Led Zeppelin      3. Joni Mitchell as college student      4. Young David Bowie (not available in some countries)     5. Beatles 1962      6. Stevie Ray Vaughan 1980      7. Eric Clapton 1964       8. John Mayer 1999      9. Bob Dylan first network show      10. Leon Russell 1965      11. Jeff Beck 1965      12. Paul Shaffer      13. Elvis 1955 with Jerry Lee Lewis, Carl Perkins, Johnny Cash, Buddy Holly      14. Aretha Franklin 1964      15. Whitney Houston     16. Barbara Dennerlein 1984 as a teenager      17. Derek Trucks @ 15      18. Beach Boys 1962  (not available in some countries)    19. Young Neil Young      20. Young Warren Haynes      21. Young Johnny Winter      22. Todd Rundgren in High School (next clip with Nazz, Todd on guitar)     23. Glen Campbell      24. Jim Seals & Dash Crofts before Seals & Crofts (on sax and drums)     25. Susan Tedeschi 1996      26. Steely Dan 1973      27. Etta James      28. Frank Zappa 1963!

 

 

Derek Trucks & John Mayer play for BB King

13 Dec

BB King was only a couple of weeks away from his 87th birthday when he played the Hollywood Bowl on Sept. 5, 2012.  For the finale he was joined on stage by Susan Tedeschi, Derek Trucks, and John Mayer.

Even now BB King tours nearly 300 nights a year, clearly the love he gives and receives keeps him going.  I was lucky enough to catch BB King in a small lounge in Reno, Nevada in 1973 and it remains a vivid memory.

Here’s a tip, rent or buy his DVD about his life, it has interviews with Clapton, Santana, Derek Trucks, Dr. John and many, many more.  It is a wonderful film about an amazing person.

Talkin’ Blues with Jaimoe

28 Mar

Check out my new interview with Jaimoe, a founding member of the Allman Brothers Band.

John Scofield Interview: Talkin’ Blues

1 Apr

2013 UPDATE:  You can now download the audio of this interview, or stream it here

John Scofield is one of the world’s most influential and respected guitarists, a musician and composer who has worked with many of the greatest names in jazz: Chet Baker, Gary Burton, Billy Cobham, Miles Davis, Herbie Hancock, Charles Mingus, Gerry Mulligan and scores of others. His 30 plus solo recordings have taken his fans on a remarkably wide-ranging musical journey – from straight ahead jazz, bebop, and fusion, to funky experimental outings with Medeski, Scofield, Martin, and Wood, and even gospel jazz fusion with his Piety Street Band.  On his current album 54 (Emarcy, 2010), he is backed by a 50 plus piece orchestra, complete with strings, harps, brass, and woodwinds, and, as always, he somehow manages to play in a way that appeals to jazz aficionados and discerning guitarheads.

Fans of Soulive, Phil Lesh & Friends, Govt. Mule, and John Mayer are well aware that John Scofield is an exciting and soulful player, and this ability to be true to himself as a serious jazz artist, while also appealing to rock, R&B, and blues fans is what makes him so special. After watching him (@ Moogis.com) blow the roof off the Beacon when he sat in with the Allman Brothers Band on March 18, 2011, I thought it would be fascinating to talk to this jazz icon about coming of age in the ’60s & ’70s and get his take on the icons of blues rock. So this interview was conducted just a few days after that event.

Regular readers of this blog know that I publish my interviews on All About Jazz, but this year a major retrospective interview with John Scofield was already planned for the later part of 2011 to coincide with the release of his upcoming album A Moments Peace (Emarcy, 2011.) Nevertheless, he graciously agreed to this interview on blues rock guitar for Jazzamatazz, and I resisted the urge to ask him about jazz and his work with Miles and the other jazz greats – we can all look forward to that later this year on All About Jazz. Meanwhile, if you see any names you don’t recognize, or any of your favorites, be sure to check the hyper-links – there are even links to posters of concerts John saw as a high school student.

Jazzamatazz: First, as a blues fan I want to tell you how much I love your album Piety Street (2009, Universal Music). It’s one of those recordings where everything just seems to have fit together perfectly, from the material and musicians down to the great cover art. And the fact that you decided to do a gospel album in New Orleans and actually ended up in a studio on Piety Street, it just doesn’t get any better than that.

John Scofield: Yeah, it was one of those things, almost like being helped from above. It was also so much fun doing that record. Of course I knew the studio was on Piety Street, but it really didn’t register until I got down there.

Jazzamatazz: Jon Cleary was a great choice, it’s uncanny that a guy from England sings and plays piano like someone who grew up in the 9th Ward, and if that weren’t enough, he’s a fine guitarist.

John Scofield: Jon Cleary is just a major talent, and we did a year of touring after the album came out. It was wonderful working with him and he’s just become a great friend. He’s actually been into it for a long time, his story is rather interesting. His father and uncle were way into the music of New Orleans when he was a kid. So he grew up with New Orleans music playing around the house all the time, and his uncle was a musician. His sister was also really into it and had already moved down there, so when he was about age eighteen he was already playing and singing it, and at this point he’s lived down there for a long time.

Jazzamatazz: You’ve also had John Boutté who famously sings the theme song for HBO’s mini-series Treme. Have you had a chance to watch it, and are there any plans for you to appear in an episode?

John Scofield: Yes, that’s so great. We actually recorded Peity Street before that, and I was so happy to see that they used his music for the series. I actually watched one of the episodes with Jon Cleary in it, it’s very good. They haven’t asked me, but I’ll be there if they want me.

Jazzamatazz: You seem to have retained a rock energy when you need it, but other than a bit of B.B. King I can’t spot a particular influence from a blues or rock player. Were there any rock or blues player you listened to in your early years who had a lasting influence on you?

John Scofield: So first, there is influence, and then there are also people whom you like and respect. I liked and respected all of the blues players, and they all kind of played a bit like B.B. King, Otis Rush, Albert King and Freddie King. And I loved those guys, and Hendrix and Clapton, and I was a teenager when that first came out.

I started playing guitar at the end of 1963 just before the Beatles came over. [Laughing] I think I had my guitar out holding it when I was watching the Beatles on television on the Ed Sullivan Show. Continue reading

Scientists Examine Clapton’s Mojo

9 Mar

Why would someone create a replica of Blackie, complete with every single nick and scratch, including the wear pattern from Mr. Clapton’s belt buckle and the burn mark from his cigarettes? And why is that replica expected to fetch at least $20,000 at Wednesday’s auction, and probably much more?

Fortunately, social scientists have been hard at work on the answers. After conducting experiments and interviewing guitar players and collectors, they have just published papers analyzing “celebrity contagion” and “imitative magic,” not to mention “a dynamic cyclical model of fetishization appropriate to an age of mass-production.”


Read more in the New York Times article

My Interview with Susan Tedeschi

7 Jun

What a treat it was to interview Susan Tedeschi, the future looks bright for the Derek Trucks and Susan Tedeschi Band.  Read the interview on All About Jazz.